Showing posts with label Flugzeug. Show all posts
Showing posts with label Flugzeug. Show all posts

Sunday, 15 May 2016

Heinz Birkholz, 1922-2016



This website owes its existence to the work of Heinz Birkholz.

The dedicated reader of this blog will have noticed recurring references to some of the pioneers of German aviation research of the 1919 to 1945 period: Hans Redemann, Karl Ries, Karl R. Pawlas, J. Richard Smith, Eddie J. Creek, Thomas Hitchcock, or Heinz Birkholz. It is Heinz Birkholz in particular who ranks among the earliest writers to make a dedicated effort to confront misinformation, myth, and previously uncharted territory by means of publishing serious research and prime source material. Moreover, in the course of his decades of activities as a journalist and editor, Birkholz managed to bring together an illustrious group of contributors consisting of period protagonists on one hand and fellow experts of German aviation on the other. This included notables such as Karl Kössler, Günther Ott, Roy Nesbit, Günter Frost, Richard Chapman, and many others.



Born in 1922, Heinz Birkholz served in World War II as one of the German Luftwaffe's schwarze Männer (i.e., as a member of the ground crew), in his case as a technician assigned to Jagdgeschwader 5 in Norway. In 1944, he was transferred to Flugzeugführerschule [pilot school] A/B 23 in Kaufbeuren, Bavaria, where, like many others, he underwent training to become a pilot in an attempt to replenish the staggeringly mounting personnel losses of the Luftwaffe. The war ended before he flew a first operational mission, however, and Birkholz re-entered civilian life as a journalist with the Hamburger Morgenpost newspaper.

But it really was his continuing interest in aviation which was to define Birkholz' life. In the 1960s, he became one of the very first European journalists to regularly cover the hobby of plastic modelling in the press, by writing for Modellbau-Revue magazine. Moreover, he contributed to other specialist periodicals, such as the renown aviation magazine Flug Revue.



Before long, Birkholz' column about plastic kits in Modellbau-Revue became increasingly popular, and the idea for a magazine solely dedicated to plastic modelling gained traction. This finally became reality in March of 1970, when Plastik Modell was launched. Heinz Birkholz was the magazine's creative director and chief editor. But Plastik Modell wasn't simply a magazine covering plastic kits. Not only did it feature detailed articles that illuminated the histories and technical details of the actual full-size aircraft that were the subject of the kits, but it also contained an innovative readers' letters forum in which readers, photo collectors, and fellow researchers exchanged further information and contributed rare photos. This was the prototype of a highly successful and prolific concept Birkholz would henceforth apply to all of his subsequent publications.

In 1974, Birkholz established a dedicated pictorial extension to Plastik Modell by creating PM Foto-Revue. This was a photo album-type publication which contained further previously unpublished pictures of historic subjects, submitted from the private collections of both writers and readers of Plastik Modell. Regrettably, the publisher, G. Schmidt-Verlag, ceased operations just as PM Foto-Revue was launched.



But instead of giving up, Birkholz and his editorial team professionalised their efforts and went on to found the new periodical Modell Magazin, which, starting in 1975, covered both scale models and aviation history, and subsequently became one of the most important and influential publications within the growing Luftwaffe research community. In 1976, following the earlier example set with Plastik Modell, Modell Magazin introduced Modell Magazin Foto Archiv, its own softcover photo album offspring. Published sporadically until the early 1980s, Modell Magazin Foto Archiv again featured period pictures submitted by the writers and readers of the magazine and thus exposed extraordinary treasures to a wider audience.



When Modell Magazin eventually changed direction and content in the mid-1980s, Birkholz left and established a new magazine, Flugzeug, dedicated entirely to aviation, both in scale and history. In 1988, Flugzeug continued the tradition of its predecessors by launching an infrequently published offspring softcover photo album, Flugzeug Archiv. One final time, history repeated itself when Birkholz, after internal disagreements, left Flugzeug to establish Jet & Prop in 1991. The by now inevitable offspring photo periodical, Jet & Prop Foto Archiv, was first published in 1992.



By the end of 2000 and aged 78, Heinz Birkholz felt it was time to transfer Jet & Prop's reins into younger hands. The magazine still exists to this day, and for a while after his "retirement", Birkholz was still a contributor to both the magazine proper and Jet & Prop Foto Archiv.

The importance of Heinz Birkholz' near life-long efforts with regard to the Luftwaffe research community cannot be overstated. Generations of young readers first came in contact with the topic through his magazines, uncounted researchers and collectors were able to first publish their findings in the pages of his publications, and the readers' letters forum was a crucial pre-internet age platform for the exchange of information, new discoveries, or the placement of specialist questions or requests for research assistance. And Birkholz' dedicated photo publications were an inexhaustible source of unpublished photos.



For decades, Birkholz' specialist magazines were the place where one would frequently find spectacular historic German aviation research discoveries and hitherto unknown images of elusive aircraft types. One might remember the ground-breaking articles on the Junkers Ju 88 H, the Heinkel He 176, the Henschel Hs 132, or the Fieseler Fi 168, to name but a few of so many.



Last but not least, the author of this blog was himself one the aforementioned young readers when, in 1975 and at age 12, he first discovered Modell Magazin und from then on religiously followed everything and anything published by Heinz Birkholz, eventually beginning to build his own dedicated library and photo collection. And, many years later, this blog.

Heinz Birkholz passed away on March 20, 2016, at age 93. He is buried, anonymously, at Hamburg-Öjendorf cemetery.

Header photo of Heinz Birkholz originally published in Modell Magazin 4/1984.

Thursday, 25 November 2010

LO+ST - Snapshots Of The Wrecked/Captured Luftwaffe Aircraft Taken By GIs From 1944 To The Defeat Of Germany



Hideki Noro, Dai Nippon Kaiga Co., Ltd., Tokyo, Japan, 2009, ISBN 978-4-499-22992-0. Illustrated, softcover (with dust jacket), published in Japanese, photo captions in Japanese and English.

Cover image © by Dai Nippon Kaiga Co., 2009.


This truly astonishing softcover book is among the most recent exponents of what is by now a well-established and highly engaging category of Luftwaffe-related releases: the photo album-type publication. The pioneer of this concept was probably Karl Ries, whose legendary Dora Kurfürst und die rote 13 photo books (published by Verlag Dieter Hoffmann, Germany) revolutionized the presentation of the results of Luftwaffe research in the 1960s. Although obviously primitive and utterly imperfect by today's standards, the photo captions contained in Ries' books provided the reader perhaps for the first time with unprecedented photo interpretation detail.

Uwe Feist's Luftwaffe in Action series of landscape-format softcovers (published by Squadron/Signal Publications in the US), continued the concept, beginning in 1971. But it was really the distinguished Heinz Birkholz who took it to the next level. In 1974, he launched PM-Foto Revue as an offspring to Germany's Plastik Modell magazine, of which he was the editor. PM-Foto Revue featured photos submitted from the private collections of the writers and readers of Plastik Modell. Unfortunately, the publisher, G. Schmidt-Verlag, ceased operations just as PM-Foto Revue was released.

But Birkholz and his editorial team went on to found the new periodical Modell Magazin, which, starting in 1975, covered both scale models and aviation history, and subsequently became one of the most important and influential publications within the growing Luftwaffe research community. In 1976, following the example set by Plastik Modell, Modell Magazin introduced Modell Magazin Foto Archiv, its own offspring softcover photo album. Published sporadically until the early 1980s, Modell Magazin Foto Archiv again featured photos submitted by the writers and readers of the magazine and thus exposed uncounted previously unseen photographic treasures to a wider audience.

When Modell Magazin changed direction and content in the mid-1980s, Birkholz left and established a new magazine, Flugzeug, dedicated entirely to aviation, both in scale and history. In 1988, Flugzeug continued the tradition of its predecessors by launching an infrequently published offspring softcover photo album, Flugzeug Archiv. One final time, history repeated itself when Birkholz left Flugzeug to establish Jet & Prop in 1991. The by now inevitable offspring periodical, Jet & Prop Foto Archiv, was first published in 1992 and continues, sporadically, up to today.

Recent decades have seen an outright proliferation of Luftwaffe-related photo album-type publications. From Alfred Price's The Luftwaffe 1939-1945 volumes (in the Warbirds Illustrated series by Arms and Armour Press, England, 1981), for example, or the various Luftwaffe Warbirds Photo Albums (Tank Magazine special issues by Delta Publishing Co. Ltd., Japan, 1992 to 1994), to current releases such as Eagle Editions' outstanding Wings of the Black Cross or Axel Urbanke's exceptional Luftwaffe im Focus series (by Luftfahrtverlag-Start, Germany). There are many others, the concept thriving not least due to the existence of uncounted astounding photos once taken by victorious allied troops during their advance through late-war Germany.

Hideki Noro's LO+ST focuses on such late-war and post-war photos. Sized a modest 257 x 210mm, the book still feels substantial. Consisting of 192 pages, its 272 black & white photos are printed on semi-matt, high-quality paper, the book is clearly laid out and nicely designed and also features a glossy dust jacket. Its five chapters are divided by geographic location: Northern Germany, Central Germany, Southern Germany, neighboring nations, and unknown locations.

The photos presented are truly engrossing and of great interest to any student of the late-war German Luftwaffe; at times they are outright stunning due to the subject and detail contained therein. Even the very first photos of the book, one of a damaged Messerschmitt Bf 109 G-14/AS "Black 10", in Regensburg in 1945, and one of a light blue Messerschmitt Bf 109 G-6/AS nightfighter with antennae, are absolutely striking. A great number of the photos have either never been published before or have only very rarely been seen.

LO+ST focuses almost exclusively on fighter aircraft. Among the aircraft covered are Fw 190 V65 CS+IA, numerous Fw 190 D-9s, JG 301 aircraft at Stendal (such as Ta 152 H-0, Werknummer 150007), Ar 234, Me 262, Ta 152 H, Ta 152 E, Bf 109 K-4, Ta 154, Fw 190 D-11 at Bad Wörishofen, He 111, and uncounted Bf 109 Gs and Fw 190 As and Fs. It will take many hours to seriously absorb and digest the wealth of photographic material presented here.

If there exists a drawback to LO+ST, it might be that the majority of the book is written in Japanese. This includes the (limited) text as well as all photo captions. Brief English translations are provided for all photo captions, but these are limited to the most crucial data (such as the aircraft type and location) and are nowhere near as detailed as the extensive Japanese captions seem to be. This is of course a pity, and it will undoubtedly keep many of those interested in the German Luftwaffe but unable to read Japanese from buying the book.

A decision to pass on LO+ST would be an utter shame, however, as is the case for many Luftwaffe-related specialist publications produced in Japan. It is my firm opinion that the professionalism and attention to detail which characterizes so many Luftwaffe books from Japan makes it readily possible to ignore the language barrier for any serious researcher or student of the Luftwaffe. In fact, the abundance of vital information available by means of the visual content of these publications is simply indispensable and easily offsets any inconvenience caused by an inability to understand the Japanese text.

Wednesday, 24 November 2010

Phoenix aus der Asche - Die Deutsche Luftfahrt Sammlung In Berlin



Michael Hundertmark & Holger Steinle, Silberstreif Verlag GmbH, Berlin, Germany, 1985, ISBN 3-924091-02-1. Illustrated, hardcover, published in German.

Cover image © by Silberstreif Verlag GmbH, 1985.


The Deutsche Luftfahrt Sammlung [German Aviation Collection] in Berlin has attained a near-mythical status within the field of German aviation history, not least due to the fact that this exceptionally unique and utterly irreplaceable collection of aircraft and aviation artifacts was scattered and/or destroyed during ravages of World War II. Only fragments of the formerly vast collection remain today, most of them stored in Poland. An equally important contributor to the myth is that not only the hardware has largely vanished but that relatively little information about the Deutsche Luftfahrt Sammlung has been published post-war.

While significant efforts have been made in Berlin in recent decades to at long last establish something akin to a successor collection (i.e., the outstanding permanent aviation exhibit of the Deutsches Technikmuseum in Berlin-Kreuzberg) to preserve and display Germany's aviation heritage, the loss of the original Deutsche Luftfahrt Sammlung has irretrievably deprived Germany of some of its most precious and significant exponents of the country's aviation history.

Phoenix aus der Asche [Phoenix Arisen From The Ashes] grants us an at least fleeting look at the abundance of remarkable exhibits once hosted by the Deutsche Luftfahrt Sammlung. Moreover, the book provides an exhaustive history of the institution itself as well as of the site in Berlin where the museum once stood. The authors, Michael Hundertmark (an aviation historian) and Holger Steinle (who would be crucially instrumental in establishing the new aviation exhibit of the Deutsches Technikmuseum) spent years researching the former Deutsche Luftfahrt Sammlung. The resulting book is thus still the definitive (if inevitably vastly incomplete) landmark study on this topic, even 25 years after its publication.

Phoenix aus der Asche begins with a look at the so-called Pulvermühle-site in Berlin's Tiergarten district in the 19th century. The detailed text, along with numerous photos and drawings, depicts the construction of the building that would much later become the main exhibition hall of the Deutsche Luftfahrt Sammlung. Hundertmark and Steinle subsequently describe the establishment of an official German aviation collection as well as the formal opening of the associated new museum on June 20, 1936. The gloomy end of the narrative depicts the destruction of the building and some of its exhibits during the war as well as the scattering of those exhibits that had already been removed from the museum in anticipation of the impending obliteration.

The second half of Phoenix aus der Asche is dedicated to a closer portrayal of some of the noteworthy German and foreign exhibits of the Deutsche Luftfahrt Sammlung, such as Ernst Udet's Curtiss Hawk, Horten Ho II, Levavasseur Antoinette, Heinkel He 5 e, an engine nacelle of the Zeppelin-Staaken R IV, the Messerschmitt Me 209 V1, and many more. The book concludes with an attempt to provide what was probably the most comprehensive - but openly tentative - list of the exhibits at the time of the publication of this book.

Since this book saw the light of the day in 1985, a small number of complementary articles on the Deutsche Luftfahrt Sammlung have been published, such as

- Auf der Spur der Veteranen (Die frühere Deutsche Luftfahrtsammlung Berlin - viele Fragen und noch wenige Antworten), by Marian Krzyzan & Holger Steinle, in Flugzeug 5/1988,

- Wie die Do X ins Museum kam, by Prof. Dr. Dr. Holger Steinle, in Jet & Prop 3/1997,

- Die untergegangene Luftfahrtsammlung (Teil 1), by Heiko Müller, in Klassiker der Luftfahrt 1/2007, and

- Juwelen in Berlin (Teil 2), by Heiko Müller, in Klassiker der Luftfahrt 2/2007.

Phoenix aus der Asche, however, easily remains the definitive work on this fascinating and long-perished German collection of aircraft, in spite of what must be a wealth of additional information that has since been uncovered.

[Article updated November 15, 2011.]